wash drawing
英 [wɒʃ ˈdrɔːɪŋ]
美 [wɑːʃ ˈdrɔːɪŋ]
淡彩画
英英释义
noun
- a watercolor made by applying a series of monochrome washes one over the other
双语例句
- Because of different philosophy concepts, wash painting and watercolour painting have different drawing concepts, ways of thinking and taste of what is beautiful.
由于各自所依赖的传统哲学思想不同，所以导致绘画观念、思维方式和审美情趣的不同。 - The Realization of Brush in the Simulation of Chinese Ink Wash Drawing
水墨画仿真中画笔的行为实现 - In the history of Shaanxi folk art, the extensively applied modeling elements of flowers and birds of characterizing, although differ from the expression form of court paintings and that of wash drawing, share the same pattern origin with each other.
陕西民间自古以来大量运用的富于特色的花鸟造型元素，不同于宫廷美术与文人水墨画的表现样式，但他们之间也有相同的图式渊源。 - Watercolour painting is a drawing style that comes from western countries while wash painting is a kind of traditional drawing style.
水彩画和水墨画，一个是西方外来的绘画形式，一个是中国传统的绘画形式。 - Simulation of Diffusion Effect Based on Physically Modeling of Paper in Chinese Ink Wash Drawing
墨水很快渗入吸墨纸中。基于纸的物理建模的水墨画扩散效果仿真 - In order to simulate the real and particular effect of Chinese Ink Wash Drawing, a new simulation approach based on physical modeling is presented.
为了更真实地模拟中国水墨画的独特艺术效果，提出了一种全新的基于物理建模的仿真方法。 - Computer simulation for ink and wash drawing is not only the spread of traditional culture, but also make great contribution to the development of non-photorealistic rendering technology.
而用计算机对水墨画的模拟绘制不仅是传播传统文化的一个新的途径，也是对非真实感绘制技术的一个发展。 - Editor: Did you use ink and wash to drawing the background character?
艺术经纬：你下面的背景人物也是水墨的吗？ - Wash and figure painting is widening violent language with individual character constantly, drawing nutrition from outside culture, perfecting and developing art language of itself, and making it have more great eternal vitality, but Chinese paintings basic regular pattern pen and ink can't be lost.
水墨人物画正不断拓宽着它日趋强烈的个性化语言，汲取外来文化营养，发展完善自己的艺术语言，使之更具永恒的生命力，但中国画最基本的规律笔墨不能丢。 - The conclusion was when Chinese classical painting developed toward Tang and Song Dynasty, color that relied mainly on color approached the peak, meanwhile, it lost its major status gradually as the "ink and wash drawing" was booming.
所得出的结论是：中国古典绘画发展到唐宋时期，以色彩为主的丹青绘画在走向高峰期的同时，又因水墨画的不断兴盛而逐步丧失其在中国绘画中的主流地位。